Written by Fahmi Farahat, Dramaturgys Introduction The story of Aladdin, Disney’s global production, appears in its 2019 live-action version, adapted from the 1992 animated film. My simple question: has Disney repaired its image of us as Arabs in this version… or have they “messed it up” as usual? We’ll approach the film through the lens of Edward Said’s Orientalism, examining its script, casting, visuals, and music. I’ll then share my professional notes as a writer, producer

Available online by the publsieher Intoduction The production of any visual and/or audio project begins with an idea. Yet bringing that idea to life—turning it into a finished work that reaches the public—does not rest solely on the originator. Executing a project requires teamwork built on harmony and coordination among specialists in various fields, each with a clear understanding of their role and responsibilities. This prevents overlapping of tasks and confusion that can

BENGALURU: If a pandemic that has infected 71 million people worldwide isn’t scary enough, a Saudi horror film “Yajuj: The Curse of Iram,” is asking audiences to imagine an alternate reality where a deadly virus turns its victims into violent, flesh-eating monsters. The feature film follows a group of tourists as they head to Iram of the Pillars, a recently-discovered buried city in the Empty Quarter of Saudi Arabia. On their way, they encounter a mysterious, fast-spreading v